'Soul Kiss' was the first single and title track from Olivia Newton-John’s thirteenth studio album. A slinky number written by Mark Goldenberg (writer of ‘Automatic’ for the Pointer Sisters), was a moderate hit reaching the Top 20 in the US and Australia. 'Soul Kiss' was a continuation of Olivia’s move into more sexually suggestive territory that had begun four years earlier with 'Physical'. Newton-John was pregnant at the time of the single’s release and was therefore unable to promote it.

Olivia Newton-John - Soul Kiss - Official Music Video. TV80s: Greatest Hits of the Eighties.

A music video was produced and received heavy rotation on MTV and VH-1, the video features a pregnant Olivia mostly filmed on a bed of red satin sheets, the video also featured Olivia’s husband at the time, Matt Lattanzi. Release of the Single: 1985 [LP MCA Records, Cat.# MCA-23593, USA] ℗© 1985 MCA Records Inc. Feg p9r serial numbers list. From The Olivia Newton-John LP 'Soul Kiss' (1985), MCA-6151 Management By Roger Davies Management Inc.

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Printed in U.S.A. Credits: Producer – John Farrar Remix – Steve Thompson & Michael Barbiero Written-By – Mark Goldenberg (tracks: A, B1), Michael Landau (tracks: B2), Paul Gordon (tracks: B2), Tom Keane (tracks: B2) Tracklist: Side A: A1. Soul Kiss (Extended Dance Mix) (06:58) Side B: B1. Soul Kiss (Dub Mix) (06:16) B2. Soul Kiss (Instrumental Mix) (05:03).

Click to expand.Great opening post! I'd never seen the 'People' review, but had read Sigerson's one for 'Rolling Stone'. I wonder if this is what got him the gig for 'The Rumour'? It's a bit rich him talking about weak material on 'Soul Kiss' when he played a large part in saddling the world with that inferior follow up. One thing I admit I never thought of back then was Olivia's lack of interest in continuing with the 'sexy' image started with 'Totally Hot' and 'Physical' It's quite clear from the (few) interviews of the time that she had issues with this. I just assumed that she was happy with the look and sound of SK but it's pretty obvious she wasn't.

The review by Joe Viglione for All Music: ' 'Physical' and 'Make a Move on Me' were brilliant singles from 1981's Physical album, and they achieved their status as timeless pop classics without the help of a Xanadu soundtrack. 'Overnight Observation' from Soul Kiss doesn't come close to the magic of those radio gems.

It, like the front and back cover photos, seems a bit contrived, as does much of this album. 'You Were Great, How Was I?' Is a duet with Carl Wilson, and features he and Christopher Cross providing authentic Beach Boys harmonies. Despite the saxes of Tom Scott, the synths of Newton-John songwriter Tom Snow, and superb support from Lee Ritenour and the late Carlos Vega, the song feels like an outtake from John Travolta and Grease V.

'Toughen Up' opens the album with power, but without the authority of 'Physical' or the charm of her early country pop albums. The country market is completely abandoned here, and though 'Toughen Up' gets more bearable after repeated spins, it is far removed from the gal who sang Dolly Parton's 'Jolene' and the Bee Gees' 'Come on Over' almost a decade earlier. Olivia looks like Missing Persons singer Dale Bozzio on the cover, and sounds a bit like her on 'Toughen Up.'

The title track, is actually a good, dark, moody song written by Mark Goldenberg, who also plays synthesizer on it. Producer John Farrar is on Synclavier and guitar, with Newton-John providing her own eerie backing vocals. The tune nicked the Top 20, and though that is three spaces higher than what 'Come on Over' achieved in 1976, the earlier tune topped the A/C charts as well. Olivia seems to have abandoned her strongholds, adult contemporary and country, her superstar status not worthy of this temporary image, a transition which needed stronger material for this big a change. An excellent song like 'Soul Kiss' could very well be Olivia Newton-John's cult hit because of the confusion of this project, a bit goth mixed with techno, it flies out of the park.

The rest of the album misses the enduring texture of her hits from the Totally Hot album, 'A Little More Love' and 'Deeper Than the Night,' moods that could have continued to work here. Still, Olivia Newton-John reigned as queen of the pop charts for a 14-year stretch, from 'If Not for You' in July of 1971 to 'Soul Kiss' in October of 1985. Many people went from their teens to their thirties with her music in their lives. If the song 'Soul Kiss' didn't get the penetration on the airwaves, music like 'Emotional Tangle' and select other cuts on this album would make for wonderful additions to the inevitable Olivia Newton-John boxed set, even if the album, as a whole, is one of the weaker links in Olivia's remarkable chain.'