Hatsune Miku (初音ミク), codenamed CV01, was the first Japanese VOCALOID to be both developed and distributed by Crypton Future Media, Inc. She was initially released in August 2007 for the VOCALOID2 engine and was the first member of the Character Vocal Series. She was the seventh VOCALOID overall, as well as the second VOCALOID2 vocal released to be released for the engine.

Hatsune miku vocaloid 2. 【8 Vocaloid】 Bad ∞ End ∞ Night 【オリジナル】. Feat Hatsune Miku, VY1V4, GUMI + Instrumental. 【Hatsune Miku】With a Dance Number 【VOCALOID 2】.

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There have since been numerous installments, such as additional voice libraries dubbed 'Append', as well as an upgrade for the VOCALOID3 engine, which contained an English vocal release. She received a VOCALOID4 update to her Japanese and English voice banks in August 2016, as well as a Mandarin Chinese voice bank in September 2017. Her voice is provided by the Japanese voice actress, Saki Fujita (藤田咲, Fujita Saki). [1][2] She is considered the most popular and well known VOCALOID, and the first to become a pop idol.

“Hatsune Miku Retrospective” is a series of blogs relating to the like-named panel to be hosted at. This blog “Lost History” is the first in the series and chronicles issues encountered in the research phase of the panel. Preparing for my upcoming panel was quite a nostalgic experience. I got to reflect on my decade of being a Vocaloid fan and look back at old videos and all of a sudden I am a freshman in college, Bleach had just come out and this viral video with a girl spinning a leek became a hit between my friends. There wasn’t a term for this at the time but I guess I can say ‘lolituma’ and ‘leek spin’ would become one of my first exposures to a “meme”. From this meme would spawn the infamous video by Otomania, Hachune Miku, and my first exposure to Vocaloid.

From there it was Miku Miku ni Shite Ageru♪, Po Pi Po, and the heyday of ryo (supercell). I became obsessed and we shared these clips and music videos with my friends at my college’s anime club. Back in the day, however, foreigners were not easily able to browse Nico Nico Douga so we mostly relied on YouTube reprinters to download these videos and re-upload them for western audiences. Back in the day copyright enforcement was lax and no Vocaloid producer had signed up with any major record labels. With the previous sentence and this blog post’s title, you can guess where the rest of this blog is going.

As copyright crackdown, almost every major Nico reprinter lost their channel and trying to get proper view counts for older Vocaloid videos before producers started cross-uploading to YouTube became very hard when researching for the panel. It wasn’t just the Nico reprinters affected either. When Google implemented YouTube Red they failed to get many non-US record labels on board and many Vocaloid videos whose producers signed with Japanese record labels had their videos blocked abroad. Between Sony Music Entertainment Japan, EXIT TUNES, Inc., UMAAA, and other Japanese music labels many old Vocaloid videos, even official uploads on official artist YouTube channels have been blocked abroad. Luckily there are ways to bypass these regions restrictions or we were able to get copies of the videos to use in our panel off of Nico Nico Douga but it has shown how the media landscape has changed over the years in the Vocaloid realm. From being ignored, finally accepted, to now rejected, over the last 10 years a lot of early Vocaloid history is lost.

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As we now celebrate a decade of Hatsune Miku I think it’s important we reflect on the past and cherish this living history while we still can. Additional Reading.