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“Just ‘cause you feel it, doesn’t mean it’s there.” ~ Radiohead, “There There” In the campy 1986 horror film Trick or Treat, directed by Michael Martin Smith and written by Rhet Topham, a devil-worshiping rock star named Sammi Curr meets an untimely death in a mysterious hotel fire. His biggest fan, a high school student with no friends and an obsession with heavy metal music, finds consolation in being the sole recipient of the only copy of Curr’s final, hitherto unreleased album.

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I read somewhere that if you played Led Zeppelin's Stairway to Heaven song backwards that you could make out 'satanic messages'. It is not my opinion that Led Zeppelin and the other artists here were given some kind of evil power to make these backwards sounds have a satanic message. In January, 1982, Paul Crouch accused many rock artists of hiding messages in their songs through backmasking. Oct 23, 2016 - [2] The main thesis of his 1983 book Backward Masking Unmasked is that the. And suggestibility in the finding of hidden satanic lyrics was carefully. In the backward reading of “Hotel California,” the hit song by The Eagles.

He is shocked to discover that he can communicate directly with the spirit of the deceased rock star when the acetate disc is rotated backward and played in reverse. He soon learns he can use this otherworldly communication to his advantage, calling on the diabolical power of Sammi Curr to torment and terrorize the bullies who victimize him on a daily basis. For many fundamentalist Christians in the 1980s and 1990s, the movie Trick or Treat may as well have been a documentary. To them, rock albums are not just harmful to young people when played normally on listening devices. According to the moral crusaders against popular culture, rock albums contain sinister hidden messages discernible only when they are played in reverse. “Backward masking,” a perceived phenomenon which, beginning in the 1980s, captured the imagination of rebellious youth and anti-rock evangelists alike, is the process of playing music records in reverse to find the hidden subliminal messages hiding in the grooves.

The scare began in earnest early in 1982 when a fire-and-brimstone televangelist named Paul Crouch devoted a segment of the January 14 broadcast of his Praise the Lord (PTL) show to a discussion of demonic messages in rock records. Crouch’s guest that day was a self-described neuroscientist named William H. Wotanclient2 2.3 0. Yarroll, who stated that rock stars were joining forces with organized Satanism and were “placing hidden messages on records in reverse so the subconscious mind could grasp the ‘secret’ or subliminal communications.” This claim immediately captured the collective imaginations of religious anti-rock activists.